So now we've finished getting Vascara looped into the movie so that completes that whole redub the whole movie thing that we neurotically decided to do. Why? Well, you got to love it when you rent a flick and you can't understand a damn word the people are saying and of coarse there was the whole "hey, I can hear every sound on the planet in the back ground, including me weeping."
So we've replaced all the lines of dialogue with fresh shiny new ones and now we do need to grab a few more lines from the bit players, but that's like a total of three lines and no big jump there.
I'm meeting with the Green Machine next week to pick up some effect shots that he's been hammering away on as he moves his stuff in to Atlanta from Pittsburgh and New Orleans. I like working with roaming gypsies, they bring a certain salt of the earthness to the work.
I've told the rest of the peeps (music and titles) to continue on in their secret labs and to surprise me with wonderful gifts of movie stuff as it comes to them, as I will be deep into foley and synching and all sorts of technical mumbo-jumbo while also having my first child, a girl, due the thirtieth of this month. Exciting stuff and I can't wait to teach her how to be a sound editor so I won't have to mess with that crap again.
BUT! it seems like we may have a new guy on the film that will be creating a CG skull for the film to lay into a few thingies that will make some cool widgits seem more, how you say... um, fantastico.